The word 'press' means to exert force on an object, but no motion of the object is implied. Push The Button closes with the giddy, uplifting “Surface To Air,” an anthemic Chems piece in the mold of “Star Guitar.”Īt a time when The Chemical Brothers could have rested on their laurels, Push The Button found them pushing on once more, continuing to scoop up contemporary influences and throw them into the pot – with explosive results.My intuitive understanding of the English language (I am German) would correlate with the following quotation: “Shake Break Bounce” scoots along on a Latin guitar lick and beefed-up dancehall reggae rhythm section, before the festival hoedown “Marvo Ging” cuts in, recalling the mid-90s’ world fusion scene and such irresistible hits as The Grid’s “Swamp Thing,” with a hint of Lemon Jelly in the mix. “Close Your Eyes,” conversely, is fronted by the dreamy, Heavenly-signed indie group The Magic Numbers (then in the charts with “Love Me Like You”), who only required gentle touches from the dynamic duo to underscore their crestfallen piece while ensuring that all guitar angles are covered on the album. As opposed to the bands who just rehashed the past, however, Rowlands and Simon put their own twist on it, recalling some of their 90s work. “Come Inside” and the wiggly “The Big Jump” are influenced by punk-funk, tapping into the cowbell-heavy style (an influence on the Brothers in their early days) that was back in fashion at the time. The blurry, yet propulsive and percussive “Hold Tight London,” with vocals from the much in-demand American singer Anna-Lynne Williams (AKA Lotte Kestner), then offers something of an underrated highlight, with 80s dub effects and Williams’ soothing voice skimming across the city’s horizon, before things amp up psychedelically again. Another indie-dance legend, Erol Alkan, provided a suitably gritty single re-rub. Bloc Party’s Kele Okereke was on hand for vocal duties, but the song’s true lift came from its award-winning video, centered around an out-of-control assembly robot run amok. The guttural “Believe” is built around the refrain “I needed to believe in something” – a phrase that neatly sums up the acid house years that birthed the Chems’ career. The latter continued dance music’s tradition of crossover mixes (which had been greatly helped on its way by the Chems themselves, in the mid-90s), taking things back to the era of New York’s Paradise Garage for their massively extended, ticking, tinkling, boogieing workout. Moving with the times, the rave-tinged “The Boxer,” as psychedelic as all the duo’s Charlatans collaborations, received a highly-praised remix from indie-dance specialists DFA. The sometime Manchester-dwelling duo had a long relationship with Burgess’ band, having first worked with them on some remixes back in 1995, as well as featuring Burgess on their early single “Life Is Sweet” (from their debut album, Exit Planet Dust). On “The Boxer,” the Chems pulled in Tim Burgess, from Manchester indie act The Charlatans.

Push The Button also contains a low-slung hip-hop companion piece to “Galvanize,” “Left Right,” which features the Mos Def collaborator Anwar Superstar. (The collaboration worked out so well that Tom and Ed reunited with Q-Tip for “Go,” on 2015’s Born In The Echoes.) “Galvanize” was later remixed by UK turntablists Scratch Perverts for the game DJ Hero 2, and was also covered by Pete Tong for his 2017 classical dance tribute collection, Ibiza Classics. The slow-building sizzler uses Moroccan chaabi music as its sample base, and has a great, krumping-filled video (that style of street dance then being a source of fascination in the media, due to the documentary Rize). Listen to Push The Button on Apple Music and Spotify.

Released on January 13, 2005, the Grammy-winning Push The Button started as it meant to go on, with album opener – and smash hit single – “Galvanize” featuring both the much-vaunted rapper Q-Tip (from New York’s A Tribe Called Quest) and the lyric that gave the album its title. Tom Rowlands and Ed Simons, AKA The Chemical Brothers, upped the ante when it came to the guest spots on their fifth album.

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